Allra första gången jag någonsin bloggade här på Nöjesguiden skrev jag om min före detta favorit-tonårs-rapduo Yung Nation. Yung Nation-killarna är nu fullvuxna typ 21-åringar nu och de har efter chock-lång tid äntligen släppt uppföljaren till 2011 års mixtape iYess.
Min första reaktion när jag snabblyssnade igenom iYess 2 igår var ändå lite lättnad, de har kvar nästan lika mycket studsande energi som när de fortfarande var tonåringar (t ex här). Jag var rädd att de dels skulle ha blivit lite sunkigare typ, rap life osv. Jag var även rädd att de skulle ha övergivit sina rätt opolerade Dallas-hyphy-beats för nån proffsvariant av nån erfaren producent med studiovana typ. Skräcksenariot är alltid att det ska gå som det gick med Yung Chops I Don’t Like när nåt vuxet doucheface petat sönder beatet (det är 100% objektivt sant att remixens beat är sämre, imho). Vuxna
Men jag tycker vi klarar oss denna gång, Yung Nations energi gör att det fortfarande låter väldigt mycket som rå ungdomlig energi.
Min andra reaktion var följande: en klapp på min egen axel. Sedan jag första gången noterade (märkte aldrig hans gästspel på Snoops skivor) att jag lyssnade på LA-rapparen Problem har jag tänkt för mig själv, fan vilken fet röst han har. När Problem gästrappar på Pimp ungefär halvvägs in på iYess 2 kommer jag på mig själv med att älska Problems röst mer än någonsin. Så jag håller fortfarande med mig själv och känner av någon anledning nöjd med det(?).
Lyssna på hela iYess 2 i spelaren nedan, eller ladda ner som fysiska greppbara mp3s här (deras egna länk).
PS. Min utlovade post om Dallas alla danser kommer! Här kommer ett smakprov, barn som dansar ricochet på en parkeringsplats:
Av: Hugo
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Really enjoyed the vibe on this mixtape, it feels raw and confident with a lot of personality shining through. It’s always interesting how music can spark curiosity beyond sound, especially when it connects to how people view growth and value over time, much like insights found through Orlando property values. The tracks have a strong local energy that makes the project feel grounded and authentic. Looking forward to hearing how this style evolves in future releases.
This mixtape from Yung Nation has a solid feel, with tracks that really carry personality and consistency. It’s always refreshing to see artists putting out work that connects with everyday experiences. While checking out creative releases, I’ve also been browsing Bexar Real Estate to better understand how local areas evolve. Both music and community growth reflect where things are headed. Definitely interested to see what drops next.
The energy feels raw and authentic, and the production keeps things moving without losing focus. It’s the kind of project that grows on you with each listen and shows real creative direction. While checking out different creative works lately, I’ve also been browsing Charleston Court Filings to stay informed on local updates, which makes appreciating independent projects like this even more interesting. Looking forward to seeing how Yung Nation continues to evolve and push their sound forward.
Really enjoyed reading this throwback and reflection on Yung Nation’s growth — that raw energy you describe is exactly what made them stand out back then. It’s refreshing when artists evolve without losing what made them special in the first place. Totally agree about guest verses too; a strong voice can elevate a track instantly. On a completely different note, for anyone who likes digging into reliable local info as deeply as music details, I’ve found Brown County Court
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Loved the throwback and the honest take on how their energy has held up over time.
It’s refreshing when artists grow without losing that raw spark that made them fun in the first place.
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I really enjoyed reading your take on how their sound has evolved without losing that raw energy. It’s always refreshing when artists manage to grow up while keeping what made them exciting in the first place. I get a similar feeling when exploring Allegheny property records and seeing how history and character are preserved over time. That sense of continuity is what keeps things interesting and meaningful.
Really enjoyed this throwback perspective on Yung Nation and how their sound has evolved without losing that raw energy. It’s refreshing when artists stay true to what made them exciting in the first place. That feeling of digging back into something familiar yet updated is a lot like doing a quick Property Value Search when curiosity strikes. Your take captures that balance between growth and staying authentic perfectly.
It’s great to read your thoughts on how their energy has stayed intact even as they’ve grown older – that’s not always guaranteed. I especially liked your point about the beats still feeling raw and lively; it really adds to the overall vibe. It’s a similar kind of satisfaction when you can do a smooth Property records search right in the middle of another project. Whether it’s music or something else, it’s nice when something keeps its authenticity. Looking forward to hearing more from them!
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